Presentation
D.Lang
M.Le Pladec
Y.Pick
A.Zins-Browne
CNSMD & Tactus
EVENT - DANCE + CONTEMPORARY MUSIC
* Playground
1 evening = 3 performances
1 composer: David Lang
+ 3 choreographers: Maud Le Pladec, Yuval Pick, Andros Zins-Browne
+ The C.N.S.M.D. of Lyon & Tactus, youth percussion ensemble
Leaping into contemporary music with both feet, that’s what the first edition of Aire de jeu is about.
Setting itself the challenge of making the most audacious musical scores convivial, Aire de jeu will invite a major figure in contemporary music to join choreographers and musicians on stage. The wager is that there will be a true meeting of the minds between a major composer and young choreographers, which will then be shared with the musicians and dancers on stage. This year, composer David Lang will be joined by choreographers Maud Le Pladec, Yuval Pick, and Andros Zins-Browne, and musicians from Tactus and the CNSMD of Lyon.
An encounter in the now, intense and risky, passionate and joyful. A way to live fully in the moment.
“David Lang, one of the enfants terribles of post-minimalism, has confirmed his stature as a master of contemporary American music”. The New Yorker
1 COMPOSER: DAVID LANG
Passionate, prolific, and complex, composer David Lang is extraordinarily inventive. Both deeply rooted in a certain tradition within contemporary music and fully invested in creating works that defy categorisation, David Lang constantly invents new forms.
PRESS
Naxos Blog
Naxos: What are 5 recordings that shaped / shapes your personal musical landscape?
David:
-The Joseph Papp production of the Ralph Mannheim translation of Brecht / Weill Three Penny Opera
-The (1973?) Steve Reich recording of Violin Phase and It’s Gonna Rain
-Leonard Bernstein’s first recordings of Shostakovich’s 1st and 9th Symphonies
-The first Velvet Underground record, with the Andy Warhol yellow banana cover
-Bob Dylan - World Gone Wrong
Discussion with Collin Rae March 31, 2009
WATCH THE INTERVIEW VIDEO HERE! (coming soon)
BACKGROUND
David Lang is one of today’s great composers. An American, he has won several prestigious awards, such as the Rome Prize awarded by the National Endowment of the Arts, and the 2008 Pulitzer Prize for Little Matchgirl Passion. His repertoire is vast, with a warm register far removed from the image most French people have of contemporary music. His operas, chamber pieces and solos are in turn sombre and light, quick and hypnotic, and full of emotion.
DISCOGRAPHY
The little match girl passion (2009) 65'
Pierced (2008) 51'
Elevated (2005) 59'
The passing measures (2001) 42'
Lost Objects (2001) 70'
Danny Holt - Fast Jump (2009) 0'
Americans in Rome (2009) 0'
New Century Saxophone Quartet - On Track (2008) 67'
Margaret Leng Tan - The Art of the Toy Piano (2008) 48'
O Isis and Osiris (2007) 47'
Music for Airports / In the Ocean (2008) 107'
...
1 CHOREOGRAPHER: MAUD LE PLADEC
INTENTIONS
As with my last two creations, Professor and Poetry, the invitation to participate in Aire de Jeu contains a fundamental element of my work: music. But it also provides the opportunity
to continue exploring the relationship between sound and gestures, which is what I’ve been working on for the past three years. For Aire de jeu, I chose two works by
New York composer David Lang: his famous Cheating, Lying, Stealing, created in 1980; and Stick Figure, which was written twenty years later. When I listened to Cheating, Lying, Stealing for the first time, I thought it could be a contemporary music “hit”, an ontological piece from the post-minimalist school. I wasn’t far from the truth: later I read that Steve Reich said about this piece that “David (Lang) couldn’t have written that without being inspired by my work, but when I heard Cheating, Lying, Stealing, I said to myself, darn, I should have done that!” [Devrez trouver l’anglais original, le cas echéant] Then I discovered this piece was on Garage Band 2 (a Guitar Hero video game)!
These intersections between high culture and popular culture, so-called high-brow music and popular music, are primarily what interest me. In fact, behind the rigorous writing and beauty of both Cheating, Lying, Stealing and Stick Figure, which seem to adhere to the strictures of contemporary music, there‘s a poetic that’s open to manifestations of so-called “low art”, a confident approach unencumbered by musical traditions.
WATCH THE INTERVIEW VIDEO HERE!
WORKS BY DAVID LANG
1. Cheating, lying, stealing (1993/95) 11'
Created 1 May 1995 (by Bang on a Can All-Stars at Lincoln Centre, New-York)
At Les Subsistances: bass clarinet, cello, percussion
Interpreted by: CNSMD of Lyon / Direction Frabrice Pierre
2. Stick figure (2001) 10'
Created 12 March 2001 (Teatro La Scala, Milan)
At Les Subsistances: clarinet, cello, percussion, piano,
snare drum
Interpreted by: CNSMD of Lyon / Direction Frabrice Pierre
LISTEN TO THESE WORKS HERE!
BACKGROUND
Maud Le Pladec trained in contemporary dance in 1999, joining Ex.er.ce at the Centre Chorégraphique National of Montpellier, directed by Mathilde Monnier. She then worked in Vienna (Austria) in the scope of Dance-web, then as a dancer in projects by Takiko Iwabuchi (Japan), Guillermo Bothello (Switzerland), Patricia Kuypers (Belgium), Bojana Mladenovic and Dusan Muric (Serbia). In 2001, Maud Le Pladec co-created the “Clubdes5” collective, authoring Fidelinka and Fidelinka-extension in collaboration with Mickael Phelippeau at Les Subsistances. In 2004, she began the Advance Training in Choreographic Culture program with Laurence Louppe and earned an advanced degree in Choreographic Culture. She then obtained a two-year master’s degree at the Dance Research Department at Paris 8 while at the same time dancing in pieces by Emmanuelle Vo Dinh, Loic Touzé and Latifa Laabissi, Georges Appaix, Mathilde Monnier, Herman Diephuis, and Boris Charmatz, and helping Charmatz at the Musée de la Danse with the Roman Photo project. In 2010, Le Pladec created Professor, which won the Révélation Chorégraphique (young choreographer) award from the Critics Syndicate and, on Jean-Marc Adolphe’s invitation, participated in SKITE. Currently dancing in two pieces by Boris Charmatz - La Levée des Conflits (2010) and Enfant (2011), which was created for the 2011 Festival d’Avignon – le Pladec created Poetry in November 2011 at the Mettre-en-scène Festival at the Théâtre National de Bretagne in Rennes. Next season, she will not only produce Professor and Poetry, she will also create a live version of Professor, in collaboration with the Ictus Ensemble for the GMEM Festival Les Musiques in May 2012, and prepare a new creation for 2013 centred on the Bang on a Can All-Stars.
PRODUCTION & CREDITS
Conception and choreography: Maud Le Pladec.
Music: Cheating, Lying, Stealing & Stick Figure de David Lang.
Interpreted and created in collaboration with: Julien Gallée Ferré. Lighting design: Nicolas Marc.
Production: Association Léda.
Co-production: Les Subsistances, Lyon.
With support from: de l’Atelier de Paris-Carolyn Carlson.
1 CHOREOGRAPHER: YUVAL PICK
INTENTION
“What I find interesting in the two musical pieces I’ve chosen is the method of composing by working on permutations and repetitions of the musical phrases. What inspires me in David Lang’s work is the need to deconstruct an existing form, to come back to its foundations to rebuild it and give it new meaning”.
WATCH THE INTERVIEW VIDEO HERE!
WORKS BY DAVID LANG
1. The anvil chorus (1991) 7'
Created 12 May 1991 (Bang on a Can Festival, New-York) for Steven Schick
At Les Subsistances: percussion
Interpreted by: Ryan Wilson, CNSMD of Lyon
2. + 3. The so-called laws of nature (2002) 11' + 9’
Commissioned by:
Created 19 October 2002 (Miller Theater, New-York)
for So Percussion Group
At Les Subsistances: percussion
Interpreted by: Tactus Ensemble
LISTEN TO THESE WORKS HERE!
BACKGROUND
Trained at the Bat-Dor Dance School in Tel-Aviv, Yuval Pick joined the Batsheva Danse Company (dir. Ohad Naharin) in 1991. He then began his international career, dancing with artists such as Tero Saarinen, Carolyn Carlson, and Russel Maliphant, and in 2000 joined the Ballet de l'Opéra national of Lyon (dir. Yorgos Loukos) for two seasons. In 2002 he founded The Guests Company and began working in close collaboration with composers such as Bertrand Larrieu (“Popular Music” 05, “Paon” 08, “Score” 10), Roméo Monteiro (“Look White Inside” 07, “17 Drops” 08) and Andréa Vigani (“Strand Behind” 06). As an independent choreographer, Yuval Pick has created pieces for the CCN Ballet of Lorraine, the Addmi-L'école de danse contemporaine in Montreal, the Junior Ballet of Geneva, La Palucca Schule in Dresden in the scope of the Tanz Studio Project, etc. In March 2010, he presented his most recent creation, Score, at Les Subsistances, and was recently named Director of the Centre Chorégraphique National in Rillieux-la-Pape.
PRODUCTION & CREDITS
Choreographer: Yuval Pick.
Music: The anvil chorus, The so-called laws of nature de David Lang.
Dancers: Lazare Huet, Zen Jefferson, Madoka Kobayashi, Anna Massoni, Antoine Roux-Briffaud.
Lighting: Nicolas Boudier.
Costumes: Magali Rizzo.
Outside eye-editing: Bojana Bauer.
Production: Gabriel Guenot.
Sound operator: Raphael Guenot.
1 CHOREOGRAPHER: ANDROS ZINS-BROWNE
INTENTION
“What struck me first of all about David Lang’s piece for 6 pianos, “Face So Pale” was the strength and dynamism which it achieves with so few elements. The tremolo- this nervous vibration- of the six pianos, moves and changes radically despite repeating the same elements. This seemed to compliment ideas I was having at the time about loops and feedback systems- how is it that accumulation of the same elements change not just the quantity but the quality of a thing, what is it when an effect becomes a cause and then becomes an effect again. I thought of the interaction of bodies, like the interaction of the six pieces of the same instrument- bodies which are always in flux between being causes and being effects, in a constant state of creating feedback systems between each other.”. Andros Zins-Browne.
WATCH THE INTERVIEW VIDEO HERE!
MORCEAUX DE DAVID LANG CHOISIS
1. Face so pale (1992) 9'
Created 20 November 1993 (Huddersfield
Festival, United Kingdom)
At Les Subsistances: 2 pianos
+ sound tracks.
Interpreted by: CNSMD of Lyon
LISTEN TO THESE WORKS HERE!
BACKGROUND
Andros received a Bachelor degree in Modern Culture and Media at Brown University. Afterwards, he came to Brussels to study at P.A.R.T.S. where he graduated in 2006 with no less than 5 creations.
Since then he has collaborated with Sandy Williams on The Kansas City Shuffle (2007), created the group piece Second Life (2008), involving elderly performers and performed in the work of Jonathan Burrows and Mette Ingvartsen (2009). Also in 2008 he created the video installation Neverland together with Michael Jackson impersonator Christophe Lesquesne.
In May 2010 Andros had a premiere in Buda in Kortrijk during the Fresh festival with his new trio The Host. The performance is still on tour and won the Goethe Institut Award in July 2011 at the Impulse Festival in Germany. Currently Andros is preparing a new creation, Welcome to the Jungle, which will première in autumn 2012.
PRODUCTION & CREDITS
Executive producer & residence: wpZimmer, Antwerp (Belgium).
Co-production & residence: Les Subsistances, Lyon.
LIVE MUSIC
BY THE MUSICIANS OF THE C.N.S.M.D. OF LYON & THE TACTUS ENSEMBLE
ATELIER XX-21, DIRECTED BY FABRICE PIERRE
Atelier XX-21 provides practical training in the music of the 20th and 21st centuries. The ensemble’s work allows soloists as well as larger groups to expand their repertoire. Theory sessions on the languages and techniques proper to developing musical trends complement the coursework. The ensemble works with composers and specialized interpreters who enlarge the field of exploration. As part of the public season of the CNSMD of Lyon, Atelier XX-21 will perform regularly, in the form of encounters centres on either a composer (Klaus Huber, Gérard Grisey, George Crumb, Vinko Globokar, Ivan Fedele, Peter Eötvös, Michael Jarrell, Conlon Nancarrow, Tristan Murail, Philippe Leroux, Alessandro Solbiati, Ivo Malec, Henri Pousseur, Giacinto Scelsi, Georges Aperghis, Betsy Jolas and Iannis Xenakis) or a theme. The Atelier has participated in festivals such as Agora (Paris), Why Note (Dijon), Musiques en scène (Lyon), and in the thematic weeks dedicated to Berio, Reich, Boulez and Ligeti organised by the Auditorium-ONL. It has also performed at the Cité de la Musique (Paris), the Amphithéâtre of the Lyon Opera, and the Musica Festival (Strasbourg).
TACTUS, YOUTH PERCUSSION ENSEMBLE
From varied backgrounds, the Tactus musicians meet in Jean Geoffroy’s class at the CNSMD of Lyon where, in addition to their already pronounced appreciation for classical music, they broaden their aesthetic appreciation and, above all, deepen their affinity for contemporary music. Fervent champions of such music, their repertoire
includes many 21st-century European works
as well as a few more avant-garde works produced in collaboration with young French composers. TaCTuS [pourquoi cette écriture? Ce n’est pas utilise systématiquement ici et je ne la retrouve nulle part sur internet] hasn’t tired of its cultural roots, however, and adapts works from various periods (from J.S. Bach to E. Satie) for percussion.
Winners of several international competitions
(2010 Cannes International Competition, etc.), the members of TaCTuS work frequently in France with the Percussions Claviers of Lyon, the Orchestre National of Lyon, the Lyon Opera, the Ensemble Inter-Contemporain, the Ensemble Orchestral Contemporain, etc. TaCTuS regularly participates in pluridisciplinary creations where theatre, dance, and visual arts combine with music.
PRODUCTION
Ying-Yu Chang, Quentin Dubois, Paul Changarnier, Thibaut Weber
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Social Gatherings
“Babel” : When the play finishes, meetingon
2 February with David Lang and the creative teams
3 February with the creative teams
Chantier, presentation of a work step ahead of Maud Le Pladec of the creation / Free (reservations required) / Thurs 19 January at 7 pm / Cancelled
CREATIVE VISITS
1hr visit + 1hr creative construction site of Andros Zins-Browne / Free (reservations required) / Sat 21 january at 6 pm
Workshop brunch
Sat 4 february 10:30 am to 12 am + brunch. Workshop with (choice) Yuval Pick, Andros Zins-Browne, Maud Le Pladec / 15€ Workshop + Brunch - Pass Workshop + Brunch + show 25€ / reservations required
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